Timo Demollin

NL, 1988
  • resident
    • 2022 – 2024

“I work with materials from industries, infrastructures, and institutions that are nominally public yet privately administered. This economic condition prefigures social struggles for control, community and public power, as well as questions about funding and governance structures. I see making artworks in our time as propositional forms for mediating the ways both society and art itself are articulated, captured, subjugated, and ultimately dismantled by forces that traverse society to remake it in the neoliberal image of the market.”

Open Archive

td-2020-visit3.jpg
Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
  1. Timo Demollin
  2. 2020

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  1. Open Studios 6
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  5. 2022 1
  6. 2023 13
  7. 2024 12
  8. 2025 1
  9. Image 31

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