Open Archive

An extensive collection of documentation of the resident’s work, our public programme and other Rijksakademie related events. You can filter by tag.

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Foundation, 2018, concrete foundation piles, pavilion closed for the duration of the exhibition as a safety measure to prevent shear failure of the building’s foundation from additional weight. Installation view Foundation, Rietveld Pavilion, Amsterdam, March 15–17, 2018
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  • Timo Demollin Ⅹ

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td-2023-metwysheidgezaaidinzegengeoost-1.jpg
Met wysheid gezaaid, in zegen geoogst, 2023, jack, sickle, knapsack sprayer, illuminated sign
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Met wysheid gezaaid, in zegen geoogst, 2023, jack, sickle, knapsack sprayer, illuminated sign
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Studio presentation
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Studio presentation
td-2023-will.jpg
Will, 2023, risograph on paper, unlimited edition
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Double movement, 2023–ongoing, two-channel video (colour, sound) on modular LED display, 60 min., looped
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Claim, 2023, suitcases previously handled at Amsterdam Airport Schiphol, sourced among Rijksakademie resident artists
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Holding, 2023, stainless steel tube manufactured for NedTrain, welded to guardrail facing the office of Director Strategy and Development at Rijksakademie
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Holding, 2023, stainless steel tube manufactured for NedTrain, welded to guardrail facing the office of Director Strategy and Development at Rijksakademie
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Temporary emergency bridging measure, 2023, embossed figures in aluminium parts of aircraft containers manufactured for KLM, aluminium train interior frames manufactured for NS
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Lift to release, 2023; Temporary emergency bridging measure, 2023
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Lift to release, 2023, cargo lock from KLM Boeing 747-406M combi aircraft replacing door fittings
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Turns, 2022, hand-turned spruce, hand-turned plane, CNC-turned and CNC-milled yellow poplar, hand-turned larch, hand-turned and CNC-milled mahogany, hand-turned elm Manufactured by local woodturners (Maarten den Breeijen, Marisa Klaster, Doornekamp Wood Specials, Tijn Remmerswaal, Woodwave, Jasper Kaarsemaker). Installation view, Stedelijk Museum Schiedam, 2022
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Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
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Visit (1883–2020), 2020, sixteen souvenir prints and a map of the International Colonial and Export Trade Exhibition from the set 'Herinnering aan Amsterdam' (library collection Stedelijk Museum, copy number: 2017/2740; shelfmark: Doos WTT 4; technique: chromolithography; print maker: anonymous; printer: Emrik & Binger; publisher: Het Nieuws van den Dag), frames from the Stedelijk Museum inventory, custom mat boards. Installation view In the Presence of Absence. Proposals for the Museum Collection, Stedelijk Museum Amsterdam, September 5–December 14, 2020
td-2021-rerere2.jpg
Insurable Interest (No. 45), 2019, DLP exposed chemicals on canvas, nine parts, 152 × 152 cm each. Installation view Re:Re:Re:, AG, Utrecht, September 11–October 9, 2021. (Top-right corner: Annabelle Binnerts, Familiar words passing similar lips / The same song sung by a different tongue / An argument between two identical voices, 2021)