Call for Applications Rijksakademie Residency 2022 / 2023

Team

Directorial Team

Emily Pethick (director)
Martijntje Hallmann (deputy director, head of residency)
Susan Gloudemans (director strategy & development)
Danielle Kars (secretarial services)

Residency

Annelie Musters (manager & deputy head residency
Virág Szentkirályi (residency & programme coordinator)
Sandra Felten (alumni relations & documentation)
Daphne Verweij (project coordinator residency)

Workshops / Technical advisors

José Miguel Biscaya (media lab)
Marietta Dirker (library & collection)
Stephan Kuderna (metal)
Arend Nijkamp (paint lab)
Marianne Peijnenburg (ceramics)
Kees Reedijk (electronics)
Elke Uitentuis (social practice)
Pieter Verweij (print lab)

Freelancers:
Seamus Cater (wood)
Roger Cremers (wood)
Lotte Nijhof (mould making)
Monique de Wilt (laser cutter & CNC)

Development

María Virto Marcilla (manager development)
Isabella Leitz (fellowship support & friends)
Lotte Hemme (special projects)

Communication

Vanessa Groenewegen

Finance / Administration / HR

Joost Cras (head of finance)
Niels Andree Wiltens (HR, residency & process administration)

Building / Operations

Michel de Rooij (head of operations)
Harold Verbakel (ICT)
Peter Amponsah (caretaker)
Feras Dahhan (caretaker)
Anita Autar (cleaning)

Cantina

Bas Magnée (coordinator)
René Blits
Wiebe Bouwsema

Freelancer:
Martine Albitrouw-Segijn

Supervisory Board Rijksakademie

Defne Ayas
Karl Guha
Bregtje van der Haak
Otobong Nkanga
Constantijn van Oranje-Nassau
Vinod Subramaniam (chair)

Supervisory Board Trust Fund

Job Dura
Wouter Han
Marian Scheele (chair)

Özgür Kar

TR/NL, 1992

  • resident
    • 2019
    • 2020
    • 2021

Artist statement

Özgür Kar’s black and white video animations feature anthropomorphic characters, delivering contemporary tales poised between desire, melancholy, and loneliness. Trapped in the confined frame of flat screens, Kar’s figures whisper pulp monologues of tragedy and homoeroticism. Sketched out as white lines on black backgrounds, the slow-moving alter-egos unfold an emotional complexity through long soliloquies. Rooting his influences in a variety of genres such as experimental theatre, European and Turkish folklore, early twentieth-century animation films, and 1990s MTV cartoons, Kar accumulates diverse sources to represent the shift in digital consumption, imagined as a cacophonic experience inducing confrontation.

From the Open Archive with tags
  • Özgür Kar