Rijksakademie – Open Archive

Een uitgebreide verzameling documentatie over het werk van de residents, ons publieke programma en andere Rijksakademie gerelateerde evenementen. Je kunt filteren op tag.

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Polina Medvedeva X

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36 items of 2632 in total

Polina Medvedeva receiver.jpg — magnetic audio receiver

Elektronica-werkplaats
Polina Medvedeva

_a_knock_from_below_heard_at_the_bottom_,_documentation_open_studios_'22_rijksakademie_van_beeldende_kunsten_amsterdam (1080p).mp4 — A Knock From Below Heard At The Bottom, interactive installation, documentation, 2022, 12", sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum-6.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

_2022-05-12_29-Polina-Medvedeva_Tomek-Dersu-Aaron_196.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum-7.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

_2022-05-12_29-Polina-Medvedeva_Tomek-Dersu-Aaron_204.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics .jpg — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

Open ateliers
Polina Medvedeva
2022

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 2.jpg — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 2

Open ateliers
Polina Medvedeva
2022

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 4.png — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 4

Open ateliers
Polina Medvedeva
2022

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 3.png — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 3

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

Open ateliers
Polina Medvedeva
2022

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

Open ateliers
Polina Medvedeva
2022

'Can you tell fake leather from real On smekalka loopfoles and pitfalls.' Performance. still from video.PNG — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance, still from video

Open ateliers
Polina Medvedeva
2022

'Can you tell fake leather from real On smekalka loopfoles and pitfalls.' Video still from performance.png — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

Open ateliers
Polina Medvedeva
2022

HR.De-readinggroup.Performance.Rijksopen2022.photo.by.sandervanwettum-6.jpg — De-reading group Killing me softly/ conversation A collective de-reading on relationships: contractual, transactional, romantic, economic, soft and hard.

Open ateliers
Polina Medvedeva
2022

HR.De-readinggroup.Performance.Rijksopen2022.photo.by.sandervanwettum-11.jpg — De-reading group 'Killing me softly'. A collective de-reading on relationships: contractual, transactional, romantic, economic, soft and hard.

Open ateliers
Polina Medvedeva
2022

the_informals_ii_trailer_2021 (1080p).mp4 — The Informals II, live documentary performance and installation, 2021, 25", in collaboration with Andreas Kühne

Polina Medvedeva
2021

The Informals II live documentary performance and installation, 2021, 25_, in collaboration with Andreas Kühne.png — The Informals II live documentary performance and installation, 2021, 25_, in collaboration with Andreas Kühne

Polina Medvedeva
2021

_but_this_was_later,_when_they_already_had_a_name_for_us__trailer (1080p).mp4 — But this was later, when they already had a name for us, 2021, 12" + 25", diptych, trailer

Polina Medvedeva
2021

Polina Medvedeva by Verena Blok.jpg — Polina Medvedeva photographed by Verena Blok

Polina Medvedeva
Studio Portrait
2022

2 But this was later, when they already had a name for us, 2021, 12 + 25 , still.jpg — But this was later, when they already had a name for us, 2021, 12" + 25", still

Polina Medvedeva

3 But this was later, when they already had a name for us, installation view Rijks Open 2021.png — But this was later, when they already had a name for us, 2021, installation view

Open ateliers
Polina Medvedeva
2021

1 But this was later, when they already had a name for us, installation view Rijks Open 2021.png — But this was later, when they already had a name for us, 2021, installation view

Open ateliers
Polina Medvedeva
2021

But This Was later, When They Already Had A Name For Us, 2021, 12_ + 25_, installation view.jpg — But This Was later, When They Already Had A Name For Us, 2021, 12_ + 25_, installation view

Open ateliers
Polina Medvedeva
2021

Studio presentation

Open ateliers
Polina Medvedeva
2021

_2021-06-17_12_Polina-Medvedeva_Tomek-Dersu-Aaron_277.jpg — Studio presentation

Open ateliers
Polina Medvedeva
2021

2.The Informals:Неформалы (2019) still.png — The Informals_Неформалы (2019) still

Polina Medvedeva
2019

3. The Informals:Неформалы A:V performance at Sonic Acts Festival (2019).png — The Informals_Неформалы A_V performance at Sonic Acts Festival (2019)

Polina Medvedeva
2019

7. Installation view #VerlorenJongensZullenWinnen #Gamechangers (2020) Nederlands Film Festival.JPG — Installation view #VerlorenJongensZullenWinnen #Gamechangers (2020) Nederlands Film Festival

Polina Medvedeva
2020

8. #VerlorenJongensZullenWinnen #Gamechangers (2020) film and live performance, BAK Basis voor Actuele Kunst .png — #VerlorenJongensZullenWinnen #Gamechangers (2020) film and live performance, BAK Basis voor Actuele Kunst

Polina Medvedeva
2020

6. #VerlorenJongensZullenWinnen #Gamechangers (2020) still.jpg — #VerlorenJongensZullenWinnen #Gamechangers (2020) still

Polina Medvedeva
2020

5. still The Informals II (2021) installation and A:V performance.png — still The Informals II (2021) installation and A_V performance

Polina Medvedeva
2021

4. The Informals:Неформалы A:V performance Bratislava (2019) Photo credit Branislav Grebečí .jpg — The Informals_Неформалы A_V performance Bratislava (2019) Photo credit Branislav Grebečí

Polina Medvedeva
2019

1.Installation view The Champagne Drinkers (2018), Stedelijk Museum Amsterdam, Freedom of Movement photo credit Peter Nijhuis.jpg — The Champagne Drinkers (2018), installation view, Stedelijk Museum Amsterdam, Freedom of Movement photo credit Peter Nijhuis

Polina Medvedeva
2018