Rijksakademie – Esmee Verboon

Gefiltered op:

2022

Esad Duraki_Premiere Perfomance of LYNX by Astrit Ismaili 2023.jpg — LYNX, 2022, premiere live performance at Manifesta Biennial, 2022. Photo by Esad Duraki

02. Fragile Connections [with Steffen Köhn]_ II Biennial of Warsaw 2022.jpg — Fragile Connections [with Steffen Köhn]_ II Biennial of Warsaw, 2022

Duo schotje.jpg — Schot II

The Cosmocomic World of Nonsense, video projection on wall with 3D printed sculptures. Solo show, andriesse~eyck galerie, 2022. Photo Peter Tijhuis

Susanne Khalil Yusef - detail of installtion Café Disorient - Wa want to live - 2022 Moving Stories Photo FlipFranssen_Museum Het Valkhof.jpg — Susanne Khalil Yusef, 2022, Moving Stories, Museum het Valkhof Nijmegen

Riding the murky waters, 2022

Hermaphrodite fantasy 2022–2023

Jihan El-Tahri, COMPLEXIFYING RESTITUTION, 2022, video, color, sound, approx. 15′; text, video still © Jihan El-Tahri

2022

Rijksakademie Jaarverslag 2022.pdf — Rijksakademie Jaarverslag 2022

Perfectly Clear, CGI animation, 2019–2023

JESW003_Wilson, Hand with Sponge, 2022.jpg — Hand with Sponge, CGI, UV print on dibond, 2022

detail of Untitled(4), CGI, UV pigment on aluminum dibond, 38.1 × 48.9 × 2.5 cm, 2022

Trustfonds_jaarverslag_2022.pdf — Rijksakademie Trust Fund Jaarverslag 2022

show -2.jpg — IAM, video installation on 48 inch monitor. Solo show, 2022, andriesse~eyck galerie

Site visit, 2022

Kanga for the Present: The Girls are fighting, 2022, mixed media, inkjet on cotton, 110×140 cm

in samenwerking met WONNE

Mikołaj Sobczak photographed by Verena Blok

Peng Zhang photographed by Verena Blok

Yun Choi photographed by Verena Blok

RA Open Studios Poster 2022.jpg — poster by Julia Born & Linda van Deursen

Tech Fellow Niels de Bakker.pdf — Research results Niels de Bakker

Research Benedetta Pompili

Research Benedetta Pompili

Research Benedetta Pompili

Research Benedetta Pompili

Tech Fellow Benedetta Pompili.pdf — Research Benedetta Pompili

Research Benedetta Pompili

Research Giulia Principe

Research Giulia Principe

Research Giulia Principe

Research Giulia Principe

Research Giulia Principe

Selma Selman photographed by Verena Blok

22 Mirrors, 2022, digital oracle and collective ritual

22 Mirrors, 2022, digital oracle and collective ritual

TAC_Gam & Simon opening_ Vince Donders_MirtevanDumppen_2022_Fotograaf Almicheal Fraay-4.JPG — Wall of Tar/Wind from Nowhere, 2022, TAC Eindhoven (NL). Photo by Almicheal Fraay

HR.Jota.Mombaca.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Studio presentation

VB_TomK_2_v2_voor website.jpg — Tom K Kemp photographed by Verena Blok

Agnes Waruguru photographed by Verena Blok

Winnie Herbstein photographed by Verena Blok

Studio presentation, December 2022

Vibeke Mascini photographed by Verena Blok

Ali Eslami photographed by Verena Blok

Cihad Caner photographed by Verena Blok

VB_Arturo_1_v2_voor website.jpg — Juan Arturo García photographed by Verena Blok

01_zeynep kayan_00'38''.jpg — 00'38'', 2022, video, 00'38''

Annelies Kamen photographed by Verena Blok

billy li bar (benjamin Li)-lowres.jpg — Billy Li Bar

24. The Cyan Garden, Installation View, 2022, Peng Zuqiang, video installation, Cell Project Spacejpg.jpg — The Cyan Garden, 2022, single-channel video installation, 08:05

Turns, 2022, hand-turned spruce, hand-turned plane, CNC-turned and CNC-milled yellow poplar, hand-turned larch, hand-turned and CNC-milled mahogany, hand-turned elm Manufactured by local woodturners (Maarten den Breeijen, Marisa Klaster, Doornekamp Wood Specials, Tijn Remmerswaal, Woodwave, Jasper Kaarsemaker). Installation view, Stedelijk Museum Schiedam, 2022

Karel van Laere LORES.by.GordonMeuleman .jpg — Reach. Photo by Gordon Meuleman

Mikołaj Sobczak, 'Up in the Attic', 2022.jpeg — Mikołaj Sobczak, ‘Up in the Attic’, 2022

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 1.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 2.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 3.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 4.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 5.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

02_zeynep kayan_00'43''.jpg — 00'43'', 2022, video, 00'43''

5. keep in touch, Installation View, 2022, Peng Zuqiang, video installation, Cell Project Space.jpg — keep in touch, 2021, five-channel video installation

9. keep in touch, Detail, 2022, Peng Zuqiang, video installation, Cell Project Space.jpg — keep in touch, 2021, five-channel video installation

14. keep in touch, Installation View, 2022, Peng Zuqiang, video installation, Cell Project Space.jpg — keep in touch, 2021, five-channel video installation

VB_Simnikiwe Buhlungu.jpg — Simnikiwe Buhlungu photographed by Verena Blok

To The Bees (Ukujiva as a Point of Cognisance): A Conver-something. Outside reading

HR.Simnikiwe.Buhlungu.RijksOpen2022.photo.by.sander.van.wettum--7.jpg — To The Bees (Ukujiva as a Point of Cognisance): A Conver-something

Verena Blok photographed by Silke Schönfeld

HR.Rossella.Nisio.Rijksopen2022.photo.by.sandervanwettum-2-v2.jpg — Intervallo, 2022, studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum.jpg — Studio presentation

Susanne Khalil Yusef installing Café Disorient - We want to live at Museum Het Valkhof, 2022, Photo Liza Wolters.jpg — Café Disorient, Valkhof Museum, 2022, foto Liza Wolters

Susanne Khalil Yusef - Ingepalmd- 2022- keramiek, brons, plant- Prospects - Art Rotterdam, foto Mirjam Westen.jpg — "Ingepalmd", 2022, Prospects, Art Rotterdam

032.MARRES-LIMBURG BIËNNALE 2022-PH.GJ.vanROOIJ.jpg — Limburg Biennale, 2022, Marres Maastricht

Intimacy Surveillance_2022_Interactive Video_Real-time.jpg — Intimacy Surveillance, 2022, interactive video, real-time

Intimacy Surveillance_2022_Documentation Still_Interactive Video_Real-time.png — intimacy Surveillance, 2022, documentation still, interactive video, real-time

The Riverside_2022_Installation view_Single channel video installation_2'45''.jpg — The Riverside, 2022, installation view, single channel video installation, 2'45''

HR.Agnes.Waruguru.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Studio presentation

HR.Agnes.Waruguru.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Studio presentation

HR.Agnes.Waruguru.RijksOpen2022.photo.by.sander.van.wettum--5.jpg — Studio presentation

Open Studios Talks Programme 2022 - Can we reflect our aspirations.mp4 — Open Studios Talks Programme, Can we reflect our aspirations for better futures on to the built environment?

Lisette de Greeuw photographed by Verena Blok

Outlookers__2022-05-11_25-Verena-Blok_Tomek-Dersu-Aaron_087.jpg — Installation view, 'Out Lookers', 2022, 7:26 min, color, sound

Film Still, 'Out Lookers', 2022, 7:26 min, sound, color

Film Still, "Out Lookers", 2022, 7:26 min, color, sound

HR.Groupshow.Rijksopen2022.photo.by.sandervanwettum-7.jpg — Dairy, 2022

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Studio presenation

HR.Yun.Choi.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Studio presentation

HR.Annelies.Kamen.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Fountain (Bad Landlord), 2022, artificial ceiling (wood, plasterboard, hardware), irrigation pump, water glazed ceramic, stainless steel. Studio installation

4. keep in touch, Detail, 2022, Peng Zuqiang, video installation, Cell Project Space.jpg — keep in touch, 2021, five-channel video installation

sight leak install view. 摄影师：林半野@AGENT PAY。图片由美凯龙艺术中心提供.jpeg — Sight Leak, 2022, single-channel video installation, 12:15

Mikołaj Sobczak-Blue Wheat-Galeria Bielksa BWA-Bielsko-Biała 6.jpg — Blue Wheat, Galerie Bielska, Bielsko-Biala (PL), 2022

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Studio presentation

KRASJ_LisetteDeGreeuw_007_HR ©Michiel De Cleene.jpg — Left: Eventuation_02_01, 2021, nylon, thread, frame, 43x31x1,7cm. Right: Eventuation_01_03, 2021, fabric, thread, frame, 34x28x1,7cm. © Michiel De Cleene

Eventuation_03_01, 02 and 03_02.jpg — Eventuation_03_01, 02 and 03, 2022, lasercut drawing, framed between two glassplates, metal, 105x76x9cm

HR.Agnes.Waruguru.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Studio presentation

Rijksakademie_Lang_SUB_111022.mp4 — Rijksakademie Film, 2022, 4'56'', produced by Mals Media

2022

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

Workshop Unexpected memories through smells…, 2022, documentation

1.AND_THE_WORD_WAS_GOD.jpg — IN THE BEGINNING WAS THE WORD, AND THE WORD WAS WITH GOD, AND THE WORD WAS GOD. (John 1.1), 2022, ongoing banner poster series, 420x594 mm, risograph (original: colored pencil and graphite on paper)

HR.Rossella.Nisio.Rijksopen2022.photo.by.sandervanwettum-4.jpg — Intervallo, 2022, studio presentation

Many shades of a vanishing tangerine, 2022, different pigments, binder, gom, wood, paint, different dimensions per pencil. Graphic design: Kai Udema.

Notation language_tool to the actual work, 2022, powdercoated metal, paper, prints, fineliner, marker, aluminium

HR.Lisette.de.Greeuw.RijksOpen.2022.photo.by.sandervanwettum--8.jpg — Studio presentation, © Sander van Wettum, 2022.

HR.Lisette.de.Greeuw.RijksOpen.2022.photo.by.sandervanwettum--3.jpg — Studio presentation, © Sander van Wettum, 2022.

HR.Groupshow.Rijksopen2022.photo.by.sandervanwettum-3 (1).jpg — Eventuation_03_02 and 03, © Sander van Wettum, 2022, laser cut drawing framed between two glass plates, metal, 105x76x9cm

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Studio presentation

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Studio presentation

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum--2.jpg — Studio presentation

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Studio presentation

HR.Tom.k.Kemp.RijksOpen2022.photo.by.sander.van.wettum--7.jpg — Studio presentation

HR.Caner.Cihad.Rijksopen2022.photo.by.sandervanwettum-2.jpg — mezar ‎مزار place to visit plaats om te bezoeken, 2022, Glass, metal chain

20220815_162534.mp4 — 3D kleiprinter

2022

HR.Vibeke.Mascini.Rijksopen2022.photo.by.sandervanwettum.jpg — Studio presentation

HR.Caner.Cihad.Rijksopen2022.photo.by.sandervanwettum-3.jpg — mezar ‎مزار place to visit plaats om te bezoeken, 2022, Wood, CNC cut, Archive racks

HR.Caner.Cihad.Rijksopen2022.photo.by.sandervanwettum-4.jpg — mezar ‎مزار place to visit plaats om te bezoeken, 2022, Wood, CNC cut, Archive racks

HR.Groupshow.Rijksopen2022.photo.by.sandervanwettum-8.jpg — Recitation III, 2018, soft pastel, water-based pigment and collage on paper. Part of group show at Rijksakademie Open Studios 2022 with from left to right: Anh Trần, Hend Samir, Peng Zhang, Abul Hisham

Tomasz Skibicki photographed by Verena Blok

HR.Werker.Collective.Rijksopen2022.photo.by.sandervanwettum-2.jpeg — WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

HR.Werker.Collective.Performance.Rijksopen2022.photo.by.sandervanwettum-6.jpeg — WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

HR.Werker.Collective.Performance.Rijksopen2022.photo.by.sandervanwettum-3.jpeg — WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

WERKER / AMATOR ARCHIVES: ON QUEER REPRODUCTION

HR.Annelies.Kamen.RijksOpen2022.photo.by.sander.van.wettum--2.jpg — Fountain (Bad Landlord), 2022, artificial ceiling (wood, plasterboard, hardware), irrigation pump, water glazed ceramic, stainless steel. Studio presentation

HR.Annelies.Kamen.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Fountain (Bad Landlord), 2022, artificial ceiling (wood, plasterboard, hardware), irrigation pump, water glazed ceramic, stainless steel. Studio presentation

HR.Annelies.Kamen.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Mary Jane's Mishap, 2022, smoke modules, microcontroller, the artist's shoes. Part of studio presentation

HR.Annelies.Kamen.RijksOpen2022.photo.by.sander.van.wettum--7.jpg — FIRST, SECOND, THIRD (BIRD), 2022, steel, glazed ceramic, hardware, birdseed. Installed in the canal side garden

HR.Mikolaj.Sobczak.performance.Rijksopen2022.photo.by.sandervanwettum-3.jpg — It's 10 PM. Do you know where your children are?, 2022, performance with Nicholas Grafia

HR.Mikolaj.Sobczak.performance.Rijksopen2022.photo.by.sandervanwettum-6.jpg — It's 10 PM. Do you know where your children are?, 2022, performance with Nicholas Grafia

HR.Mikolaj.Sobczak.performance.Rijksopen2022.photo.by.sandervanwettum-7.jpg — It's 10 PM. Do you know where your children are?, 2022, performance with Nicholas Grafia

HR.Mikolaj.Sobczak.performance.Rijksopen2022.photo.by.sandervanwettum-8.jpg — It's 10 PM. Do you know where your children are?, 2022, performance with Nicholas Grafia

HR.Mikolaj.Sobczak.performance.Rijksopen2022.photo.by.sandervanwettum-12.jpg — It's 10 PM. Do you know where your children are?, 2022, performance with Nicholas Grafia

HR.Rossella.Nisio.Rijksopen2022.photo.by.sandervanwettum-5.jpg — Intervallo, 2022, studio presentation

HR.Rossella.Nisio.Rijksopen2022.photo.by.sandervanwettum-7.jpg — ntervallo, 2022, presentation in the reception area

LR.Abul.Hisham.Rijksopen2022.photo.by.sandervanwettum.jpg

Studio presentation

HR.Abul.Hisham.Rijksopen2022.photo.by.sandervanwettum-2.jpg

Memorial II, mixed media on wood, 2022

HR.Rossella.Nisio.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Intervallo, 2022, presentation in the reception area

Vulnerable Infrastructures, Ohad Ben Shimon, Rijksakademie Open Studios, 2022.mp4 — Infrastructural vulnerability, 2022, performance

HR.performance.Rijksopen2022.photo.by.sandervanwettum.jpg — Infrastructural vulnerability, 2022, performance

HR.performance.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Infrastructural vulnerability, 2022, performance

Ratu R. Saraswati photographed by Verena Blok

_a_knock_from_below_heard_at_the_bottom_,_documentation_open_studios_'22_rijksakademie_van_beeldende_kunsten_amsterdam (1080p).mp4 — A Knock From Below Heard At The Bottom, interactive installation, documentation, 2022, 12", sound, porcelain, 3d print, epoxy resin, electromagnetic mics

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum-6.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

_2022-05-12_29-Polina-Medvedeva_Tomek-Dersu-Aaron_196.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

HR.Polina.Medvedeva.Rijksopen2022.photo.by.sandervanwettum-7.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

_2022-05-12_29-Polina-Medvedeva_Tomek-Dersu-Aaron_204.jpg — A Knock From Below Heard At The Bottom, interactive installation, studio presentation, electromagnetic mics

HR.Peng.Zhang.RijksOpen2022.photo.by.sander.van.wettum--5.jpg — Studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum-4.jpg — Studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum-5.jpg — Studio presentation

HR.Fransix.Tenda.Lomba.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Bilengé (the youth), 2022, mixed media on canvas, 96x130 cm

Hend Samir photographed by Verena Blok

HR.Verena.Blok.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Installation view, 'Out Lookers', 2022, 7:26 min, one channel video and sound installation

HR.Yun.Choi.Rijksopen2022.photo.by.sandervanwettum-5.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum-4.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum-5.jpg — Studio presentation

HR.Takanori.Suzuki.Rijksopen2022.photo.by.sandervanwettum-6.jpg — The missing canvas project

HR.Jota.Mombaca.Rijksopen2022.photo.by.sandervanwettum-4.jpg — Studio presentation

HR.Jota.Mombaca.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Studio presentation

HR.Jota.Mombaca.Rijksopen2022.photo.by.sandervanwettum-5.jpg — Studio presentation

Saemundur Thor Helgason photographed by Verena Blok

HR.Vibeke.Mascini.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Studio presentation

HR.Vibeke.Mascini.Rijksopen2022.photo.by.sandervanwettum-3.jpg — Studio presentation

HR.Vibeke.Mascini.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Studio presentation

Anh Trần photographed by Verena Blok

HR.Silke.Schönfeld.Rijksopen2022.photo.by.sandervanwettum-5.jpg — I may always ask her anything [prologue], 2022, 15 min., installation view

HR.Silke.Schönfeld.Rijksopen2022.photo.by.sandervanwettum-4.jpg — I may always ask her anything [prologue], 2022, 15 min., installation view

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics .jpg — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 2.jpg — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 2

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 4.png — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 4

A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 3.png — A Knock From Below Heard At The Bottom, interactive installation, detail, 2022, 12 mins, sound, porcelain, 3d print, epoxy resin, electromagnetic mics 3

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum-2.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

HR.Polina.Medvedeva.performance.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

'Can you tell fake leather from real On smekalka loopfoles and pitfalls.' Performance. still from video.PNG — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance, still from video

'Can you tell fake leather from real On smekalka loopfoles and pitfalls.' Video still from performance.png — Can you tell fake leather from real: On smekalka, loopholes and pitfalls, performance

HR.De-readinggroup.Performance.Rijksopen2022.photo.by.sandervanwettum-6.jpg — De-reading group Killing me softly/ conversation A collective de-reading on relationships: contractual, transactional, romantic, economic, soft and hard.

HR.De-readinggroup.Performance.Rijksopen2022.photo.by.sandervanwettum-11.jpg — De-reading group 'Killing me softly'. A collective de-reading on relationships: contractual, transactional, romantic, economic, soft and hard.

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum--2.jpg — Studio presentation

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Studio presentation

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Studio presentation

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum--5.jpg — Studio presentation

HR_Ali.Eslami.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Studio presentation

LR.Abul.Hisham.Rijksopen2022.photo.by.sandervanwettum-6.jpg — Blind singers 2022, stone, wood, iron & Gesmonite

LR.Peng.Zhang.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Studio presentation

LR.Peng.Zhang.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Studio presentation

HR.Antonio.Guzman.RijksOpen2022.photo.by.sander.van.wettum--5.jpg — Studio presentation

HR.Antonio.Guzman.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Studio presentation

HR.Antonio.Guzman.RijksOpen2022.photo.by.sander.van.wettum--6.jpg — Studio presentation

2022

HR.Antonio.Guzman.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Studio presentation

HR.Antonio.Guzman.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Studio presentation

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Rijksademie Open Studios, 2022, installation view. From the left: Order, Iconoclasts, Pipel, Upiór

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Studio presentation

2022

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum--2.jpg — From the left: Order, 2021, acrylic on canvas; Iconoclasts, 2022, acrylic on canvas

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum--3.jpg — Detail, a nail from the 17th century

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum--4.jpg — Goodbye, 2022, acrylic and prints on canvas

HR.Mikolaj.Sobczak.RijksOpen2022.photo.by.sander.van.wettum--5.jpg — Upiór, 2022, video installation

Open Studios Talks Programme 2022 - Collectivity from the Rain Network.mp4 — Open Studios Talks Programme, Collectivity from the RAIN network to the lumbung

Open Studios Talks Programme 2022 - lumbung process.mp4 — Open Studios Talks Programme, Lumbung process: Majelises and the common pot

Open Studios Talks Programme 2022 - Starting from the middle.mp4 — Open Studios Talks Programme, Starting from the middle

Open Studios Talks Programme 2022 - Sharing practices in documenta fifteen.mp4 — Open Studios Talks Programme, Sharing practices in documenta fifteen

Open Studios Talks Programme, Evocations, Electric Dub Station Series..mp4 — Open Studios Talks Programme, Evocations, Electric Dub Station Series.

Werker photographed by Verena Blok

Silke Schönfeld photographed by Verena Blok

Robert Glas photographed by Verena Blok

Father,son and the holy desk, Acrylic on linen, 2022

Pennie Key photographed by Verena Blok

Daniel Aguilar Ruvalcaba photographed by Verena Blok

Hannah Dawn Henderson photographed by Verena Blok

Open Studios Talks Programme 2022 - sharing of research on consciousness.mp4 — Open Studios Talks Programme, sharing of research on consciousness. (not deep)

HR.Julian.Abraham.Togar.RijksOpen2022.photo.by.sander.van.wettum--2.jpg — Studio presentation

Julian Abraham 'Togar' photographed by Verena Blok

Open Studios Talks Programme 2022 - What's a chicken like you doing in a place like this.mp4 — Open Studios Talks Programme, What's a chicken like you doing in a place like this?

Sungeun Lee by Verena Blok.jpg — Sungeun Lee photographed by Verena Blok

Open Studios Talks Programme 2022 - Robert Glas.mp4 — Open Studios Talks Programme, One day a guide will show tourists through the ruins of a prison and say: look, this is the place where in this and this age people were locked up for years and years and the tourists will turn away their faces in disgust and walk to the nearest bar for an espresso to wash away the bad taste

HR.Silke.Schönfeld.Rijksopen2022.photo.by.sandervanwettum.jpg — I may always ask her anything [prologue], 2022, 15 min., installation view

Wouter van der Laan by Verena blok.jpg — Wouter van der Laan photographed by Verena Blok

Razia Barsatie by Verena Blok.jpg — Razia Barsatie photographed by Verena Blok

Polina Medvedeva by Verena Blok.jpg — Polina Medvedeva photographed by Verena Blok

HR.Groupshow.Rijksopen2022.photo.by.sandervanwettum-13.jpg — Group show, with mural by Ratu R. Saraswati

Tessa Mars photographed by Verena Blok

HR.Simnikiwe.Buhlungu.RijksOpen2022.photo.by.sander.van.wettum-.jpg — Studio presentation

OS22_floorplan_DEF.pdf — Floor Plan

Departure II, Mixed media on wood, 2022

Open Archive is an extensive collection of documentation of the resident’s work, our public programme and other Rijksakademie related events. You can filter by tag.

Residents, Advisors, Team

Huidige residents, guest residents, tech fellows, advisors en teamleden. Voor een overzicht van Rijksakademie alumni, bezoek onze database.

Pressing Matter