Jota Mombaça

BR, 1991
  • resident
    • 2021 – 2023

Jota Mombaça is an interdisciplinary artist whose work unfolds in a variety of mediums. The sonic and visual matter of words plays an important role in their practice, which often relates to anti-colonial critique and gender disobedience. Their work has been presented in several institutional frameworks, such as the 32nd and 34th São Paulo Biennales (2016 and 2020/2021), the 22nd Sydney Biennale (2020), the 10th Berlin Biennale (2018), and the 46th Salon Nacional de Artistas in Colombia (2019). Currently, they have been interested in researching elemental forms of sensing, anti-colonial imagination, and the relation between opacity and self-preservation in the experience of racialised trans artists in the Global Art World.

Open Archive

td-2022-turns2.jpg
Turns, 2022, hand-turned spruce, hand-turned plane, CNC-turned and CNC-milled yellow poplar, hand-turned larch, hand-turned and CNC-milled mahogany, hand-turned elm Manufactured by local woodturners (Maarten den Breeijen, Marisa Klaster, Doornekamp Wood Specials, Tijn Remmerswaal, Woodwave, Jasper Kaarsemaker). Installation view, Stedelijk Museum Schiedam, 2022

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